Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Francois Pascal Simon Gerard
Ossian on the Bank of the Lora Invoking the Gods to the Strains of a Harp

ID: 72681

Francois Pascal Simon Gerard Ossian on the Bank of the Lora Invoking the Gods to the Strains of a Harp
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Francois Pascal Simon Gerard Ossian on the Bank of the Lora Invoking the Gods to the Strains of a Harp


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Francois Pascal Simon Gerard

12 March 1770 - 11 January 1837) was a French painter born in Rome, where his father occupied a post in the house of the French ambassador. His mother was Italian. As a baron of the Empire he is sometimes referred to as Baron Gerard.  Related Paintings of Francois Pascal Simon Gerard :. | Portrait of the Empress Josephine | Portrait of Caroline Murat Queen of Naples | Ossian on the Bank of the Lora Invoking the Gods to the Strains of a Harp | Portrait of la duchesse de Berry et ses enfants | Portrait de la marechale Lannes et ses enfants |
Related Artists:
Peter Isaacz

Herbert William Weekes
Herbert William Weekes (fl. 1864 - 1904) was a well-known British genre and animal painter of the Victorian Neoclassical period who specialized in portraying animals in humorous, human-like situations. Weekes was born ca. 1842 in Pimlico, London, England to a prominent artistic family: the youngest of five children, his father, Henry Weekes, Sr. (1807 - 1877), was a sculptor and Royal Academician; his brother, Henry, Jr. (fl. 1850 - 1884), was also a genre painter known for his animal studies; and his brother, Frederick (1833 - 1920), was an artist and expert on medieval costume and design. Weekes appears to have used his middle name, William, for all but formal purposes. He lived and worked for most of his life in London, at 21 Oppidans Road, Primrose Hill. In 1865, he married Caroline Anne Henshaw (born ca. 1844), of Hammersmith. "Suspicion (ca. 1900)", oil-on-canvas "Fowl Talk", oil-on-canvas Weekes' signatureKnown as an animal and genre painter of the Victorian Neoclassical style, Weekes' work was popular, and helped expand 19th century animal painting from its traditional role of simply recording beasts into a way of reflecting human life. He frequently personified animals and placed them in situations particular to humans. His work shows a sensitive understanding of his subject matter, and part of his success in capturing the peaceful country atmosphere depicted in so many of his paintings lay in his affection for it. He was greatly influenced by one of the foremost animal painters of the nineteenth century, Sir Edwin Henry Landseer. Weekes contributed illustrations for The Illustrated London News in 1883, and exhibited extensively in various London and provincial galleries. His works were well received - although not by everyone: a contemporary wit described his paintings as eWeekes' Weak Squeakse.
Henrik Nordenberg
painted Interior with a boy at a window in 1857-1928






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